In Defense of Cultural Appropriation

-
by Kenan Malek
Op Ed Writer
New York Times
June 14, 2017





 Seventy years ago, racist radio stations refused to play “race music” for a white audience. Today, antiracist activists insist that white painters should not portray black subjects. To appropriate a phrase from a culture not my own: Plus ça change, plus c’est la même chose.
In Canada last month, three editors lost their jobs after making such a defense.
The controversy began when Hal Niedzviecki, editor of Write, the magazine of the Canadian Writers’ Union, penned an editorial defending the right of white authors to create characters from minority or indigenous backgrounds. Within days, a social media backlash forced him to resign. The Writers’ Union issued an apology for an article that its Equity Task Force claimed “re-entrenches the deeply racist assumptions” held about art.
Another editor, Jonathan Kay, of The Walrus magazine, was also compelled to step down after tweeting his support for Mr. Niedzviecki. Meanwhile, the broadcaster CBC moved Steve Ladurantaye, managing editor of its flagship news program The National, to a different post, similarly for an “unacceptable tweet” about the controversy.

It’s not just editors who have to tread carefully. Last year, the novelist Lionel Shriver generated a worldwide storm after defending cultural appropriation in an address to the Brisbane Writers Festival. Earlier this year, controversy erupted when New York’s Whitney Museum picked for its Biennial Exhibition Dana Schutz’s painting of the mutilated corpse of Emmett Till, a 14-year-old African-American murdered by two white men in Mississippi in 1955. Many objected to a white painter like Ms. Schutz depicting such a traumatic moment in black history. The British artist Hannah Black organized a petition to have the work destroyed.
Other works of art have been destroyed. The sculptor Sam Durant’s piece “Scaffold,” honoring 38 Native Americans executed in 1862 in Minneapolis, was recently being assembled in the Minneapolis Sculpture Garden. But after protests from indigenous activists that Mr. Durant was appropriating their history, the artist dismantled his own work, and made its wood available to be burned in a Dakota Sioux ceremony.
What is cultural appropriation, and why is it so controversial? Susan Scafidi, a law professor at Fordham University, defines it as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission.” This can include the “unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.”
Appropriation suggests theft, and a process analogous to the seizure of land or artifacts. In the case of culture, however, what is called appropriation is not theft but messy interaction. Writers and artists necessarily engage with the experiences of others. Nobody owns a culture, but everyone inhabits one, and in inhabiting a culture, one finds the tools for reaching out to other cultures.
Critics of cultural appropriation insist that they are opposed not to cultural engagement, but to racism. They want to protect marginalized cultures and ensure that such cultures speak for themselves, not simply be seen through the eyes of more privileged groups.
To read the rest of the essay go to: https://nyti.ms/2sn9LOI  

Comments

Post a Comment

Popular posts from this blog

The bioecological model

-
Image
An email sent to Kristin Jacobson, Assistant Professor, University of Chicago Medical School Dear Prof. Jacobson, I was just leafing through my University of Chicago Magazine this evening when I came across the article summarizing your new grant. I have to say I was amazed. Though the author tiptoed around the area under investigation, you are entering some very choppy waters. The attempt to identify the genetic and biological contributions to anti social behavior and cognition is normally considered taboo, since it inevitably ventures into racial variables. Though I am familiar with some work reported in press releases and abstracts of journals, as you can see from my weblog, most researchers, considering the downside, tend to avoid such studies, even with the best of intentions. I can't help be reminded of the unfortunate lesson of Chicago's Dr. Bruce Lahn, with whom you undoubtedly have discussed your research interests. As was noted several years ago in the Wall Stre
Read more

Brain imaging study suggests risk-taking behaviors can be contagious

-
Image
BY CALIFORNIA INSTITUTE OF TECHNOLOGY ON APRIL 14, 2016  COGNITION Why do we sometimes decide to take risks and other times choose to play it safe? In a new study, Caltech researchers explored the neural mechanisms of one possible explanation: a contagion effect. The work is described in the March 21 online early edition of the Proceedings of the National Academy of Sciences . In the study led by John O’Doherty, professor of psychology and director of the Caltech Brain Imaging Center, 24 volunteers repeatedly participated in three types of trials: a “Self” trial, in which the participants were asked to choose between taking a guaranteed $10 or making a risky gamble with a potentially higher payoff; an “Observe” trial, in which the participants observed the risk-taking behavior of a peer (in the trial, this meant a computer algorithm trained to behave like a peer), allowing the participants to learn how often the peer takes a risk; and a “Predict” trial, in which the part
Read more

Temperamental differences by race

-
Excerpted from: Solving The African IQ Conundrum : "Winning Personality" Masks Low Scores By J. Philippe Rushton VDare August 12, 2004 https://www.stormfront.org/forum/t148855/ Over a century ago, Sir Francis Galton initiated research into individual and race differences in intelligence and temperament. He was the first to propose the study of human twins and of selective breeding in animals to disentangle the effects of heredity and environment. And it was Galton—who spent several years exploring in what is now Namibia as a young man—who first contrasted the talkative impulsivity of Africans with the taciturn reserve of American Indians, and the placidity of the Chinese. Galton further noted that these temperament differences persisted irrespective of climate (from the frozen north through the torrid equator), and religion, language, or political system (whether self-ruled or governed by the Spanish, Portuguese, English or French). Anticipating later studies of tr
Read more